Zuzana Husárová and Karel Piorecky write in their book 'The culture of neural networks. Synthetic literature and art in (not only) the Czech and Slovak context' about the project www.affective-metadata.com. 

Review of the work Kronos shown at the eponymous exhibition in Galerie Blanska in Czech Republic. Text by Martina Ivičič. 

Own essay upon modes of thinking. Strictly analogue publication, available from Moravian Gallery

A short observation written by the artist on relation on self-observation in the technicistic paradigma. The text has been featured in the section "Triple exposure" both in the dokument magazín and in the Fotonoviny newspaper. It was written upon invitation by the curator, artist and editor Veronika Marek Markovičová. 

Participation in discussion panel on artificial intelligence tools in photography and (visual) world, together with Rudolf Rosa, David Macháček and Daniel Sýkora. 

Moderator and organizer of the event - Kryštof Korč, Association of Professional Photographers in Czech Republic. 

Branislav Štepánek wrote a review for Flash Art on the solo exhibition MOM - Mobile Collection Point, which took place in and at the T3 space, which is an old tram repurposed for cultural events. The space cooperated with the concept of the exhibition  which was to reflect on the everyday life during the pandemic status quo, which at the point of the exhibition was still validated by the WHO. 

Essay by the artist on parallel phenomena of social acceptation of photography and generative visual tools, featured in the European Journal of Media, Arts and Photography. 

This public discussion will present the key insights from the Sensing the Synthetic Loop. 

With Alexa Steinbrück, Martina Šimkovičová, Alina Matějová, Lenka Hámošová, Dita Malečková.

Hybrid event at Kasárna Karlín on Oct 7th 2022, 4 pm.

Today’s creative applications of generative neural networks foreshadow the impact of AI on human imagination and creativity but also many problematic ethical implications. Synthetic media have been around for too short a time for their impact on society and our perception of information and, more generally, of the nature of this new reality to become apparent. But to consider their impact in purely theoretical terms precludes other perspectives and forms of intelligence. Synthetic media need to be experienced ‘first-hand’, perceived with the whole body. Unlike artificial intelligence, our neural networks are influenced by our physicality and emotions. How to acknowledge our bodily situatedness while having a creative dialogue with AI? In what ways can we create a reciprocal relationship between us and AI so that AI takes good care of us and we take good care of it?

Radio feature exploring the aspects of the group exhibition La La Silo-Land.

Veronika Marek Markovičová takes on the digital version of the publication in the dokument magazín. A shorter version of the text has also been published in the Fotonoviny 55. 

We've had a good time with Kristína Slezáková from Kunstfilter podcast to speak about the interplay of intelligence and education. 

Angela Dimitrakaki, 2020, MULTIPLE SINGULARITIES: On the Production of Publicness, or An Art of the Social Surplus (Multiple Singularities, xhibitE, Vienna) - catalogue of the exhibition

Triaška & Čejka radio feature on the exhibition Melanch lia, curated by Miroslava Urbanová in PGU Žilina. During almost two-hours talk, we confront different perspectives on melancholy with Ester Šabíková and colleague from Robota - Center for Advanced Studies, Kristian Lukić. 

Interview for Ö1 Talentenstipendium on art, art plans.

Exhibition text to the show "1988" by the curator Miroslava Urbanová. Design by Lenka Hámošová.

Review by Jozef Červenka about the L'Histoire du Soldat performance which took place during the Konvergencie Festival in February 2019. To the contribution in form of shadowplay design, Červenka writes  that the artist 'focused the visual concept into convey the movement sequences of the dancers, in combination with archaic references to 19th-century fine art and modernism. She deliberately avoided the digital medium and created the sequence of the now-old hand-crafted hand-held projection foils with admitted glare.'

Interview in Slovak magazine focused on photography, Fotonoviny,  with Júlia Chodúrová-Bútorová, about projections, installations, Vienna and Bratislava and about differences in art education. 

Radio feature by Radio Slowakei International on the SK/AT project - the intervention in the Main Railway Station Bratislava. 

A reflection of artist's works by her professor Martin Guttmann.

A reflection of artist's works by art theoretician Beata Jablonská.

Radio feature on Radio Slowakei International about the Domov(ina) - Heim(at) project.